BTAG 1 TTStarting a low carb Keto diet? In this video Heather introduces herself& explains losing load on the Keto diet( over 100 pounds)& shares assets on how …
The escalators require determining and theres no barroom but the see must go on, as starrings from Ben Whishaw to Steve McQueen open NYCs firstly major new arts venue for decades
Ben Whishaw is on stage, stripped to his underwear. Prosthetic scars encompass his shoulders and back. He throws a large pad over each buttock as he cross-dresses as Marilyn Monroe. Later, the soprano Renee Fleming sings the line” They’re fracking the fuck out of the nations of the world !”, which grows a big laugh from the audience.
Others watching, nonetheless, seem less taken with Norma Jeane Baker of Troy, a half-spoken, half-sung play-act written specially for Whishaw by the poet Anne Carson. The first person saunters out of this preview performance about 30 times in; in the course of the coming hour around another 10 leave, the clomping of their shoes on an uncarpeted floor stirring them impossible to ignore. More cyclone to the exits at the end, ostentatiously not clapping, as Fleming and a surprised-looking Whishaw take their prows to the rest of the 500 -strong audience.
It’s Saturday night at the Shed. The first major multi-arts institution to open in New York for decades, it is intended to bring culture to Hudson Yards, the controversial $25 bn development of luxury flats and stores on Manhattan’s midwest back. Its CEO and artistic head is Alex Poots, formerly boss of the Manchester international celebration, whose challenging remit is to show simply brand-new run , not improvements, with a brief to mash together different artistic subjects- proven artists with brand-new ones, pop culture with high art. So will it be welcomed by New York’s culture-soaked inhabitants, artistic community and the tourists queuing for the Instagram bait of the Vessel next door?
As the world’s media records into the press conference last Wednesday, it’s clear things are not starting solely to plan. The committee is workers in hard hats busy hammering together seating platforms, some escalators don’t work, and the main space- under a huge shell that slides backward and forward on massive wheels– is horribly echoey. It’s a distinctly rough-and-ready start for a structure that cost $475 m.